recording drums with one sm58


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I’ve pulled it off. Or just place them in two completely different positions in the room. Really depends on your acoustic situation and the sound you’re going for though. I just need a way to make my drums sound good on recordings. I recorded drums once with a single condenser aimed at the kick batter head and angled up towards the snare. Whether you're happy with the sound will depend on what you're going for. You can EQ bass drum and snare to sound good and the rest should follow good enough ! I haven’t been able to make it happen in my current location without it all coming out mud. The problem is that you can’t go in and fix the snare drum sound, or the kick, or individual toms. The most you will be able to do is to get a lo-fi sound and make broad tweaks via EQ/compression/probably a noisegate. because i don't want to spend loads of money on multiple mics. Press question mark to learn the rest of the keyboard shortcuts. I was wondering whether it would be worth getting better microphones more suited to recording drums (either a set or overhead/condenser). The 57 makes a great snare mic, though! Hellz yes! I’ve done it a million times . Like others said, the 57 is a perfect tom/snare mic... Get your hands on a D112 or Beta 52, throw one of the dynamics on the snare and the other as an overhead. Point the mic somewhere between the kick and snare. Cheers. Experiment with placement to find the sound you like the best. Sounds like the best solution for what I've got. I first came across this many years ago when working with Jim Warren on Radiohead. share. You should also crank the gain for those two microphones if you are using them to mic the room or one of them as an overhead. Thank you. Ha, at least one of them is useful! Compress/limit it going in. So if you can only use the two you've got I would either use the both of them to mic the room that the kit is in or put the 57 inside the bass drum and use the 58 as an overhead. New comments cannot be posted and votes cannot be cast, More posts from the WeAreTheMusicMakers community, Continue browsing in r/WeAreTheMusicMakers, Press J to jump to the feed. Thank you. You might be amazed at what a difference placement can make. Epic drums from two mics. Or if you have any tips for mic placement or anything else to get the best sound out of these. But remember the sound of the room and the sound of the drums will dictate sound quality far and away more than microphones. Or if you have any tips for mic placement or anything else to get the best sound out of these. The room I'm in is pretty small. You're going to want either one or a pair of condenser microphones to use as overhead microphones. I am using Presonus 16.02 mixer. I just need a way to make my drums sound good on recordings. One microphone position that is favoured by some engineers is the 'trash mic'. In this episode I take the SM57 off the shelf and see if I can capture a drum sound with this workhorse microphone. Yes, this should be pretty passable. Those two are the most versatile mics you can buy and should serve you well in recording anything. To mic the room put them far from the drumset with the mics facing perpendicular to the kit and away from each other. Engineers hate him! So, I have an SM57 and an SM58. Look up one mic techniques. The SM58 goes on the drum seat, halfway under the drummer's crotch. If you get one instead of a pair, get a large diaphragm condenser. See Tchad Blake method for more technical breakdown. Dynamic mics like those will not do a very good job of picking up the sound of the whole kit. Then you pop that/those condenser(s) overhead instead of one of the Shures and you're golden. Thank you. You can even use them as a hammer if you need to, but don't. Or you can try setting them up in an XY pattern or try an ORTF setup. It will never sound good. My recommendation for it to sound good: buy more mics. New comments cannot be posted and votes cannot be cast. They are much better suited to close-micing. Not only is this microphone known to be the standard in live performances, but It’s also … Sennheiser e835 vs Shure SM58; Read Before You Buy! Recording Drums With Only One Microphone - Tutorial - YouTube Point it at your drummer's right knee. Hope for the best. Only chance I get to play in a big room is in a studio or at college. You'd really need a condenser microphone to do any good one mic drum recording tricks. Recording drums with one Shure SM58? I know I keep commenting here but something else came to mind. It won't be perfect, but it's definitely a good way to get started. But in regards to mics, Heil m40 on the kick is great, MD 441-U on toms will liquify your insides they are brilliant for that, two at4040's for overheads is good, sm57 on a snare is fine, you'd probably get a better sound with a senheiser 604, depends on the snare I suppose. Reply. The humble SM58 will often sit in a busy mix more naturally, without requiring so much EQ. And SM58 will never get you top results for it no matter how good you are at mixing. Samson makes one for around $100 and it actually sounds OK. OR - you could get yourself a cheap used mic, like the aforementioned Shure SM58, and get the BLUE Icicle - which is a XLR-to-USB interface/adapter. Close. I've mic'd a kick using an sm58 when that was all that we had to record with and everything turned out pretty nice :-\ probably not album quality, but for demos and simple recording, definitely worthy. I'm trying to record a kit with just one sm58, any recommendations on how to make it sound good? I am struggling with recording acoustic guitar with SM58. The important thing is playing with mic placement if you're only using one dynamic overhead. One main benefit of digital recording is the low-level of background noise to signal ... A drum kit is one instrument with many elements. Get nasty with it. If you don't mind a raw, unpolished sound, you can make it work if you experiment with placement and the drummer can mix himself with good dynamics. But for the hell of it, google the Tchad Blake one mic drum recording technique and see what kind of resuls you can get with the sm58. SM58 on drums? You'll really need at least one condenser mic to use as an overhead and another dynamic mic that can handle lower frequencies (like an AKG D112 or a Shure SM52) to mic the bass drum. The Shure SM58 has been a staple in the music industry for decades now. He would have a dynamic mic like a Shure SM58 and place it in the centre of the drum kit. Record drums with this one weird trick! Yes, do this, until you get your hands on a condenser or two. r/Drums - The subreddit where drummers of all skill levels can discuss the world of percussion and share their grooves with the friendliest community on Earth. Point taken. And do you mean crank the gain on a preamp/mixer/whatever the mic is going directly into, or in post? Posted by 1 year ago. Read More » I'm guessing most bass drum mics will be dynamic as well, with all that air? I would put the 57 on your snare and the 58 can be used as a bass drum mic but you should look into getting a specialized kick mic like the AKG D112 or the Shure Beta/PG 52 other people have mentioned.

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