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We're sorry, but this item is unavailable. Decrease of percussion, drums and instruments amplifiers in professional quality. It features a two-position contour switch to maximize attack and clarity and a low-profile design. Complete product documentation, technical support materials, software and firmware, and other tools and resources for all Shure products, in one place. Submit a ticket directly to Shure Customer Service staff, or reach out via phone or email. 312. A flat frequency response is usually desired for applications where the sound source has to be reproduced without changing or “coloring” the original sound. Housing. Drum microphone provides maximum isolation from onstage sounds, optimized low-frequency bass punch, and high-power SPL handling. You can expect a strong low end response as it is specifically tailored for bass frequency applications, and superior attack and punch for studio quality sound even at extremely high sound pressure levels (SPL). Die Grenzfläche Beta 91A vereint die Klang-Eigenschaften des Mikrofon-Urgesteins SM91 - das vor allem bei der Abnahme von Flügel und Piano Verwendung fand – mit dem satten Punch des Beta 91 - beliebt in der Bassdrum, dem Cajon und anderen tieffrequenten Instrumenten. Featuring an updated microphone capsule, integrated preamplifier, and XLR connection, Beta 91A offers a strong low-frequency response and is specifically tailored for bass frequency applications. £88. The Shure Beta 91A is designed for use with kick drums, piano and other traditional low frequency applications. Net. 3) 2005, Shure Incorporated Printed in U.S.A. 2 Polar Pattern Half-cardioid (cardioid in hemisphere above mounting surface), uniform with frequency, symmetrical around axis. PAG/NAG is a concept that can be used to determine if a sound reinforcement system can produce enough gain to provide an optimal listening experience before causing feedback. Email: info@shure.de www.shure.eu ©2016 Shure Incorporated Shure 121701 Beta PG 1 03.23.2016 CYAN MAG YELL BLK Model Type Frequency Polar Sensitivity (at 1 kHz, Output Maximum SPL Net Response Pattern Open Circuit Voltage) Impedance (1 kHz at 1% THD) Weight ® 87A ® 87C ® 53 ® 54 ® 27 181® ® 98AMP ® 57A ® 98H/C ® 52A ® 56A ® 91A ® 58A The Shure Beta 91A is designed for use with kick drums, piano and other traditional low frequency ap- plications. An updated microphone capsule is tailored for bass-heavy environments to produce a powerful low frequency response, and a new design integrates the preamplifier and XLR connection for easy setup and minimal stage clutter. Submit a ticket directly to Shure Customer Service staff, or reach out via phone or email. The Shure Beta 91A is designed for use with kick drums, piano and other traditional low frequency ap- plications. TYPICAL FREQUENCY RESPONSE FIGURE 1 Model Beta 91 User Guide 27C3035 (Rev. You can expect a strong low end response as it is specifically tailored for bass frequency applications, and superior attack and punch for studio quality sound even at extremely high sound pressure levels (SPL). The Beta 91A is a half cardioid condenser boundary microphone. For more information, please visit shure.com/prop65 open_in_new. Featuring an updated microphone capsule, integrated preamplifier, and XLR connection, Beta 91A offers a strong low-frequency response and is specifically tailored for bass frequency applications. 7 Shure BETA 56A Supercardioid – Best Shure Microphone for Horns. This item is in stock and can be dispatched immediately. 50 to 16,000 Hz. The primary use of the Beta 91A is kick drums. What is the difference between the Beta 91A and the Beta 91? Detailed policy information regarding customer service numbers, service modifications, and replacement parts. Precision-engineered small-diaphragm condenser microphone with interchangeable polar pattern capsule options. The Beta 91A features a new and updated microphone capsule. The Beta 91A is a half cardioid condenser boundary microphone. The Beta 91A features a new and updated microphone capsule. The Shure Beta 91A is designed for use with kick drums, piano and other traditional low frequency ap- plications. State of California regulation. The Shure Beta 91A is designed for use with kick drums, piano and other traditional low frequency applications. Three-pin professional audio (XLR), male, balanced. Custom Crafted, Tech Tested: Drums by Jeremy Berman, How to Get a Great Kick Drum Sound Using Two Shure Mics, Chicago’s Navy Pier Overcomes RF Challenges with Shure ULX-D® Wireless, Christian Assembly Church Upgrades to KSM8 and UHF-R®, Download PDF 125 Hz 250 Hz 500, 1000 Hz 2500, 5000 Hz 6300, 10000 Hz 15000 Hz TYPICAL POLAR PATTERNS FIGURE 2 Output Level (at 1,000 Hz) Open … at 1kHz, open circuit voltage-51 dBV/Pa (2 .8 mV)[1] Weight. What is the difference between the Beta 91A and the Beta 91? Output Impedance. (1,587 KB), Download File With the Beta 52A you can expect even more low end. Side-address condenser microphone includes XLR preamplifier, microphone clip, windscreen, zippered case, and choice of condenser capsule. I've been looking at the Shure Beta 91A and the low-mid cut switch at around 400Hz seems like a very useful and appropriate feature. (51 KB), Uniform half-cardioid polar pattern for maximum gain-before-feedback and rejection of off-axis sound, Precision-engineered low-profile design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter, Frequency response tailored for kick drum/low frequency applications with a wide dynamic range for use in high SPL environments, Two-position contour switch to maximize attack and clarity depending on application: select the flat response setting for natural sound in most applications or the “low-mid scoop” setting for a strong low frequency “punch” with plenty of higher frequency attack, Requires no external mounting or accessories for ease of use and storage, 1 - 95A2314 Storage bag.

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